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Workshops

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CURRENTS // in processes:

Red Gorge
Deathbeds
Saunter for the Sending of the There'd Infra-ness
Visitations
Workshops

MNEMONICS // for re-purposes:

Love Lasting
Almost-Although

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clippings:

"Supervalent Thought" - Lauren Berlant
"Signaling Theory, Strategic Interaction, & Symbolic Capital" - Rebecca Biege Bird & Eric Alden Smith
"Collective Emotions" - Steven Connor
"Falsify the Currency!" - Michael Hardt
The Undercommons - Stefano Harney & Fred Moten
Neighborhood Opera: "Spoon Mountain" - Fred Rogers & co
"Introducing Negative Money" - Gary Schultz
Tender Buttons - Gertrude Stein
"Reclaiming Animism" - Isabelle Stengers
"Decolonizing Architectural Education" - Pelin Tan

more about Ides+co >>

Woodstock Times
BOMB magazine

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photo by Dan Wonderly

BETHANY IDES' sprawlingly excessive intermedial performance-installation works have been presented broadly in venues such as Fragmental Museum, The Brooklyn Museum, Mandragoras Art Space, Dixon Place, PS122, Worksound, Half/Dozen Gallery, St Francis College, Tritriangle & PerformanceWorks NW. Her month-long soap opera-opera, Transient's Theme, was enacted exactly once at The Knockdown Center in October 2014, following a decade of drafts & iterative installments. Earlier opera-works include Children Get Stuck Places Underground in 2010 & co + remote in 2004 w/ Seth Nehil. She is the author of Indeed, Insist (a mystery) [Ugly Duckling, 2005] & Approximate L [Cosa Nostra Editions, 2006] & her poetic projects have appeared in several journals including The Brooklyn Rail, Clock, Cannibal, The Seneca Review, Allotrope, HAUNT, & anthologized in In|Filtration: Innovative Poetry from the Hudson River Valley [Station Hill, 2015]. Ides co-founded FO (A) RM magazine, an interdisciplinary journal for arts & research, in 2002. She has co-directed & curated multiple convocational events, such as The Gilded Pony Performance Festival [Troy & Valley Falls, NY, 2006], The Third Side [Portland, OR, 2010], Initial Contractions [Maspeth, NY, 2013], & Between Night Briefly [Rosendale, NY, 2015]. She writes on minor peculiarities related to sound w/ Mitchell Akiyama, records witchy-pop songs w/ Ryan Sullivan, methodically gesticulates the sacred & profane w/ Jonathan VanDyke, leads workshops in non-perfunctory punctuation w/ Rachel Jackson & Mahshid Rafiei, & generally goads people into building water where there may as well be bridges. In 2014, Ides established an experiment in provisional-conditional community in the Catskills called Almost-Although thru which 80 participants collaborated in daily compositions. She is artist-in-residence at the Prattsville Art Center & SenseLab, & teaches at Pratt, SUNY-Albany, SVA, & Bard College.

(Click here for full CV.)

LONG LIVE MAYA DEREN!!! LONG LIVE MISTER ROGERS!!! LONG LIVE MIKE KELLEY!!!

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